I offered some photography services on the Bay Area Community Exchange Timebank (say that ten times fast) in order to gain a few hours to trade in for computer help and whatnot, but also to get a chance to do some interesting photo shoots that people may not be willing or able to pay for. A young tango dancer contacted me looking for some shots of her that would also convey something iconic of the bay area. After some thought I came up with the idea of shooting her just after dusk at Treasure Island at the Bliss Dance statue with the Bay Bridge and the city as a backdrop. You can’t get much more bay area than that.
In my head it was pretty clear, but the reality turned out to be a bit different, which is why I wanted to lay it all out here. Yes I got some cool shots, but it wasn’t what I had envisioned in my head and I wanted to write down my experience so that we can all learn from my experience that night.
For starters I didn’t scout the location in advance at the time I’d be shooting. I did arrive early to get a lay of the land, but its important when you’re trying to take advantage of natural light to know in advance what that light is going to look like. The magical moment was slightly after sunset and I had the client show up a bit too early. More troublesome I didn’t know that the statue Bliss Dancer wasn’t sufficiently lit to show up very well compared to the ambient light. In fact let’s talk about lighting now.
Because I wasn’t getting paid I didn’t get a CityCarShare for the shoot and just brought what gear I could manage with my backpack, a tripod, two speedlights and one light stand. I brought an umbrella to soften the light but it was super windy that night so it wasn’t of any use. I only ended up shooting with one of the speedlights and this was a mistake. Things would have worked a lot better with a key and fill on the dancers as well as one or two lights on the statue. This would be hard no matter what because Bliss Dancer has LED lighting on it that cycles through different colours and matching that would be quite a task. Still, I’d rather work with that then have her so underexposed.
Here’s some of my other thoughts on the night;
Bring the subjects closer to the camera so that they fill the frame more.
I definitely could have made the subjects bigger in the frame by going with a wider lens and bringing them closer to the camera. This is even what I had initially tested but for some reason I decided to switch it up and move back, hoping to compress the image a bit with a longer focal length. Wrong wrong wrong.
Colored bean bags/hacky sacs to mark the edges of the frame on the ground.
Once they started dancing I didn’t really want to stop them or make them self-conscious by directing them too much. An easy way to mark the “safe zone” where I wanted them to stay would have been to put down some coloured bean bags. Next time…
Wireless trigger to reduce camera shake.
My tripod is a piece of junk and in order to let in enough light to expose the background I was shooting exposures a couple of seconds long at times. Every time I touched the tripod it moved. Even with a better tripod this might’ve been a problem so another set of wireless transceivers would have been nice. Even nicer would have been a TTL wireless system allowing me to adjust the flash strength from the camera. Having to run over to the speedlight to change settings got to be a real pain.
Front curtain sync instead of rear curtain.
I like rear curtain sync most of the time, but I’m not sure it worked out on this where I was trying to time my shots to actions by the dancers. At the very least I should have tried it both ways.
So there we go, a barrel full of lessons to take with me to the next night time shoot in the howling wind. Hopefully next time the execution will come closer to what I have in my mind’s eye.